'This potential embodiment is central to digital practices where both physical and virtual bodies continually become-other, where, various imperceptible intensities are at play. It is these intensities, together with their ontological status that give rise to new modes of perception and consciousness. For Deleuze and Guattari, no longer is there a '"Self" ... an organism that functions but a BwO that is constructed' (1999a, 162). Their view of art as 'sensation'-as a 'force' that ruptures everyday opinions and perceptions 'to make perceptible the imperceptible forces' (1999b, 182), provides the means of theorizing the unpresentable or sublime of digital practice.' (Boradhurst, 2007 p. 43)
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